Owen Wilson's character meets Hemingway in Woody Allen's new flick.
Recently, while watching Midnight in Paris - Woody Allan's new smart and satisfying rom-com - I was reminded of Hemingway's spare and forceful style of prose.
Every evening, Owen Wilson's character is transported from modern day wanderings with his fiance in Paris, to the 1920's nightlife of the city, meeting a succession of artists and writers from that era.
Thinking about the scene where Owen Wilson meets Hemingway, I was reminded that as great as Papa was, there was a book he read by female pilot Beryl Markham that made him feel "completely inadequate."
Those words are never uttered in the movie, but he did admit as much in a letter to Maxwell Perkins - and the words speak for themselves.
"Did you read Beryl Markham's book, West with the Night? I knew her fairly well in Africa and never would have suspected that she could and would have put pen to paper except to write in her flyer's log book. As it is, she has written so well, and marvelously well, that I was completely ashamed of myself as a writer. I felt that I was simply a carpenter with words, picking up whatever was furnished on the job and nailing them together and sometimes making an okay pig pen. But [she] can write rings around all of us who consider ourselves writers. The only parts of it that I know about personally, on account of having been there at the time and heard the other people's stories, are absolutely true....I wish you would get it and read it because it is really a bloody wonderful book."
I had the good fortune to read West with the Night years ago. If you're looking for a good summer read, download it from Amazon or find it at your local bookstore. And if you're looking for a clever romantic comedy that pleases the eyes and intellect, check out Midnight in Paris.
As you know, the smart movies often don't last long.
1) I remember wiping tears away when I played Dan Hill's Canada in the house of a Chilean friend.
2) I remember being surprised to see a Canadian flag outside a museum in the Southern U.S. and instantly choking up with love and pride looking up at that Maple Leaf. It had been a half year since I left home. I wouldn't be back for another year. I was a mess for about five minutes.
3) I remember being in Texas and proudly keeping my arms at my side one hot July 4, while a community club full of Americans recited the Pledge of Allegiance. We were all grateful for who we were. None more than I.
4) I remember talking with a friend's wife from Detroit, who said her sense of personal safety increases the minute she crosses into Canadian airspace.
5) I remember being embarrassed taking two Cuban refugees to a hockey game in the Winnipeg Arena. They courageously hopped the plane at Gander, Newfoundland, weeks earlier and asked for political asylum. That night, half the crowd didn't know the new words to O Canada and the other half were too Canadian to sing it with any passion. They look puzzled at the half-hearted delivery and I apologized for us.
So, I feel a deep love for this breathtaking, largely empty country of only 34.5 million. It's a love not borne out of adversity or testing - or even anything as dramatic as military service in some far-away land.
Rather, it's a deep recognition that I have been truly blessed to live in a tolerant, caring, safe, democratic country. One that cares enough for its citizens to provide them a safety net when they're down and opportunities to get ahead with hard work.
I'm fortunate to have every nationality and ethnicity under the sun standing beside me. To be born in a place with natural resources other countries would give their eye teeth for. To share my life with family and friends who enjoy the same blessings as I do because of our geography.
We're living the world's dream up here - but I'm not sure enough of us know it.
Ever heard of PDF-A files? How about JPG 2000 lossless? Know what an M.DISC is?
Well neither did I until I attend the Preserving Your Roots, a family history conference held the weekend of June 4th in Regina, Saskatchewan.
The event, organized by The Church of Jesus Christ of Latter-day Saints, centered on how to archive - not simply backup - family history (genealogical) records from hard copy to digital formats.
Knockout keynote
There were sessions on how to use Google for family history work, choosing the best software downloads for genealogy work, how to retouch family photos and more - including a knockout keynote by Gary W. Wright who works for the Church and is Senior Product Manager for Digital Preservation.
Wright gave a powerful presentation on how to digitize all the tangible stuff that binds you to your family members who have already passed; photos, vital records, journals, music, artwork, oral histories, newspaper clippings, family videos, books, maps, etc.
He's written a 16-page document called Preserving Your Family History Records Digitally that details the hardware and software you'll need, offers solutions to problems in archiving this special information.
Clear picture
He paints a clear picture of the challenges involved in digital preservation:
"It is NOT merely backing up your data! Rather it is a process that involves storing digital records (i) with descriptive information (ii) for a very long time (iii) in multiple locations (iv) at the highest resolution you can afford; (v) periodically migrating the records to new storage media in order to prevent data loss or the inability to read the data; also to take advantage of new storage technology; (vi) changing file formats before they become obsolete; and (vii) providing access to your digital collection now and in the future."
Free download
If you're at all interested in the subject, Wright's paper is worth the free download. There's also a wealth of other tech tip resources on the site. And if you've never had the pleasure of starting to research and preserve your family's history, why not check out the free FamilySearch website and see where your family line takes you.
Free wi-fi means I'll drop more cash at your fast food outlet or eatery. So why don't more restaurants and merchants offer it?
Why do most restaurants want to sell me wi-fi access over lunch?
When I go to my local Perkins or Salisbury House, or visit a good number of eateries, one of the first things I do is fire up my iPhone or iPad to see if I can surf on their dime.
So often I can't.
Instead they want to make money from me by sending me through a big service provider.
Yet, I can sit down at a McDonalds, stroll through a Safeway or wait for my sons at the orthodontist and get free access.
Those who do give me a chance to enjoy a little digital respite at no charge make me feel valued. It's an unexpected perk that cements my loyalty.
While those who hope to make a buck from selling me access come off as marketing dinosaurs. The fact that free access will increase the frequency of my visits and leave me pre-disposed to dropping more money in their establishments is lost on them.
But maybe it's not about the money. Could it be that it's a filter to discourage youths from sucking up bandwidth by filling up the booths while tethering their iPod Touches to the house router?
Whatever the case, the kids aren't there. And neither are the business customers that would appreciate a smart 21st-Century marketing gesture.
The bottom line is that more traffic equals more dollars - and those who won't serve me wi-fi gratis get fewer of mine.
What better to go with Winnipeg's NHL franchise, Bomber stadium and Canada's largest IKEA than a set of majestic mountains. Someone I know did this won-der-ful mash-up. And even though I love Winnipeg just the way it is, I think these peaks look good on us.
Coming "from away" and having once taken in the breathtaking beauty of Newfoundland during a PR conference, I was delighted to see this insert tucked into my Globe today.
The headline "give your senses a trip to remember" is so appropriate and I was really intrigued by the QR and words "get the soundtrack."
When I scanned it with my I-nigma app, I was shocked when it resolved to a YouTube video. Did they really want users to rack up charges streaming their over-produced travel vid?
Mericifully, the video is only 21 seconds (smart move, guys) and it's a blowy, windy, visual soundtrack of the birds on the rock pictured in the bumf with a final tag of "Seabird Capital of North America."
Wearable personal video recorders, like this one advertised in a London Drug flyer, could go from simple gimmick to part of everyday life - for better and worse. Scan the QR code above for an eye-opening video on how this gadget works or click on the embedded video below.
The gates to the future can turn on small hinges. I spotted one of those hinges in a recent London Drugs flyer.
The Looxcie Bluetooth Video Camera is essentially a personal video recorder you wear on your ear. The camera looks like a typical bluetooth device. Press record once and you begin keeping a running video log of the last five hours of your day in real time. After five hours, it begins recording over the last unsaved portion of video. You manage your settings from an app on your Android or iPhone.
Gimmick or brainwave? So what exactly does this mean? Well, if your daughter scores that winning goal or your son decides today is the day he'll take his first steps, you've got it on video - without ever pulling out your camcorder or smartphone or putting your eye to a viewfinder.
In fact, you can capture the last 30 seconds of any sudden event you witness and turn it into a separate video with just one on-the-fly click.
Gimmick, right? I mean who would really want to stockpile videos of everything they do throughout the day? You'd likely use this for short periods of time at family events and outings, your kids' games, and maybe to keep your hands free while you pull that fish out of the lake.
But here's why I think this little toy has the potential to dramatically affect our lives - maybe not right now, but as resolution and recording time expand - and attitudes toward privacy become even more liberal.
1) Many people - especially the young - are living their lives more transparently because of the social media that form such a huge part of their identity. As strange as it seems now, the idea of an always-on video journal would not be narcissistic, but simply a convenient way to record and ferret out daily gems from an otherwise unremarkable day. That means we will be in proximity to more video-obsessed folks around us and more opportunities to have our personal interactions captured close-up.
2) People will grow increasingly used to being videotaped in public. It already happens through closed circuit TV, municipal video cameras, built in cameras at bank machines, red-light cameras, and by hundreds of smartphones brandished at concerts, festivals and other public events - none of which we consent to be recorded by. Wide-spread adoption of wearable PVRs could mean that resistance to the idea of being recorded in public will at some point become, well...you know.
3) Traffic cops, parking commissioners, bank tellers and the kid handing you your order at the McDonald's drive-thru might all have bosses who would like to record their interactions with people - up close and personal - for training purposes, evaluation or legal use. Initially, there could be posted or verbal warnings about being recorded on video, but these would likely give way as wearable PVRs make more inroads into the public.
4) It could reach the point where wearable PVRs may be so widespread that the mere act of stepping out of your home will put you on the video record - not of some huge centralized agency, but by the dozens of people you interact with every day. This could push the boundaries of what's public and private into extremely uncomfortable territory. Would there be safe sanctuary for those who want to be free from the prying eyes of mobile videocams?
Already, we have to contend with the double-edged sword of citizen journalism. It can document and even foment revolution; chronicle the human and material devastation of a tornado, flood, nuclear incident; or even bring scene of a local car wreck onto our iPads. But this proliferation of video devices can also be extremely invasive. Ask anyone who's had to fight to remove their images from social networking sites like YouTube.
Also, video recording by private citizens has largely been a deliberate act until now. It involves making a decision to video, pulling your smartphone or Flip out, and recording the action. Because there's usually a viewfinder between you and your subject, it's usually obvious to onlookers that you are videotaping. Theoretically, at least they can remove themselves from your camera's immediate view.
5) None of this applies to wearable PVRs right now. They look like every other innocuous bluetooth device. There's not much to give away the fact that every movement of the wearer's head is grabbing whatever is in the field of vision - whether it's a prairie landscape or your personal interaction with the wearer.
Of course, these concerns could be overwrought. The wearable PVR could be a wash, a non-starting piece of technical ingenuity that doesn't find much use in daily life. But I remember seeing my first black and white video demonstration back in my twenties and wondering what kind of application it could ever have. Now I carry an iPhone for personal use, a Blackberry for work, and sometimes even my Flip - all of which I can use to record video.
If the idea of preserving large parts of your waking life on video does catch on, people will have to make peace with the fact that their lives may not be chronicled by Big Brother or any other surveillance-obsessed overseer. It could simply be captured by the dozens of people we come in contact with every day.
FM transmitters for iStuff can be pretty pricey, but they sure are handy for watching movies or listening to tunes from your iPad when you're on a road trip.
Since I wanted to pump some cool tunes through my car stereo yesterday, I ran into a London Drugs in Regina fully expecting to get hosed.
I skipped the usual $79 to $100+ name brands to see if I could find something reasonable.
I took a chance on a cheap off-brand transmitter for a miserly $35. It was meant for iPhone 3G/3Gs and older iPod Touches - and didn't say a word about iPad compatability. But it works brilliantly from almost any position in the car, doesn't need batteries and measures about 1" x 1.25".
Had we had one on our road trip to Edmonton in January, we could have untethered the iPad from the audio cord and spared the boys a lot of leaning forward from the backseats.
My 14-year-old son spends hours every day meticulously composing Japanese phrases in his notebook for fun.
He scans Twitter's short pithy messages in Japanese for reading practice, views his Facebook profile entirely in Japanese, pesters me to go to oriental food markets to buy junk food, and has appropriated our discount bin DVD of Ramen Girl to capture glimpses of Japan and listen to the dialogue.
In the words of an 80's hit by The Vapors, I fear he is turning Japanese - I really think so. This is on the heels of his successful self-initiated push to learn Spanish, last year, and his assiduous following of language hacker Irish Polyglot (@irishpolyglot) and his fluentin3months.com blog.
So, I asked him about the resources he uses most often. This is what he recommends for beginners like him.
1) jisho.org - Denshi Jisho is an awesome English-Japanese/Kanji dictionary. Kanji characters can be searched by radicals.
2) renshuu.org - Solid site for vocabulary, Kanji and grammar practice. Also has a library of useful grammar tips.
3) alljapaneseallthetime.com - Great blog written by Khatz (or Khatzumoto) an American who learned Japanese with digital flashcards, and by watching Japanese TV shows and listening to conversation.
4) Japanese My Way - An iPad app with flashcards, dictionary and tutorial videos.
Ok, you're in for a treat as Meaghan Smith, Halifax's young, retro-styled crooner comes to crush it at at the West End Cultural Centre in Winnipeg, June 9.
The London, Ontario native snagged "best new artist" at the Junos in March and "pop album of the year" at the East Coast Music Awards back in April.
Smith has launched a North-American tour to showcase what the National Post called her "swingy, nostalgia-tinged, soft-pop," and promote her album The Crickets Orchestra. She will hit the 'Peg a week after her Provo, Utah gig and before a string ofCanadian and U.S. dates.
Career as animator
But, and here's the cool part of Smith's journey to rising star status, no one in North America would have ever heard her great pipes had it not been for a change of direction a few years ago. You see, Smith was set for a career in animation - and a promising one at that. She credits her family's modest budget for her love of illustration and music.
"We couldn’t afford cable, so to avoid doing homework, I occupied myself with other activities, like drawing and singing. And with three (mostly fuzzy) TV channels to choose from, I ended up watching a lot of animated movies and old musicals. Some of my favorites were Calamity Jane, My Fair Lady, and Seven Brides for Seven Brothers."
You'll notice Smith's animation handiwork in some of her early videos, in her video biography, and by mousing over the banner on her website to conjure up what looks remarkably like a fluttering Twitter bird.
Eventually, Smith worked up the courage to put on "secret concerts for a few of my friends in the stairwell" of the animation building where she was studying. A sound engineer encouraged her to use the building's studios to record a demo and she began booking local gigs to gain confidence performing.
After graduating, Smith moved to Halifax, and worked for four years to raise $30,000 to cut a CD. She then spent two months on the streets of Toronto living on home-made vegetable soup and sleeping at Tim Horton's.
Finally, recognition
Smith's Omnichord-based remake of the Pixie's Here Comes Your Man for the soundtrack of the movie 500 Days of Summer got her the first big accolades and gave her some solid momentum.
She's still nowhere near a household name, but her recent awards are the foot in the door to North American consciousness. And with her clever writing, throwback rhythms, some stronger branding, and a few good tours, let's hope the Mormon girl with the velvet vocals can establish a big career for herself.
